Ted Mahsun

Southeast Asia is a region rich with legends and myths which hasn't been explored enough by writers, even those residing here. But this is probably partly because we don't have that many venues in which to share these stories. It goes without saying then that The SEA Is Ours, a steampunk anthology featuring writers from all over Southeast Asia, is a timely anthology that fills the need to showcase stories from authors we don't normally hear from. The two editors, Jaymee Goh and Joyce Chng, have made great choices in selecting the stories that went into this anthology. There were only a couple of stories that didn't really grab my attention, but that's par for the course for any collection of stories. It's rare that I find myself liking all the stories in an anthology. The ones that did really stood out for me were Timothy Dimacali's On The Consequence of Sound , which, rightly, is the opening story and features humongous giant whale catfish sweeping

Earlier this year I blogged about feeling inspired to write again , how I gained my writing mojo back after several years of writing drought. (Perhaps one day, I'll write about that period of time but suffice to say I was in a bit of a depression and didn't think highly of my own writing. But that time has passed and it is time to focus on the now, and more importantly, on the future.) As I said it that blog post, I intended 2015 to be the year I took writing seriously again, and so far, I've stuck to my word. I didn't mention it back then (perhaps because I was afraid of jinxing it) but I renewed an old contract, an old resolution I used to make every end of the year , and that was promising myself I'd write a short story a month, or twelve stories a year. I've never been able to keep that promise and at the end of the year, I'd self-flagellate for not being able to live up to that promise. But this year felt different. There was certainly something

My review of Haruki Murakami's Wind/Pinball was published in the Sunday Star on 16 August 2015 and appeared on the Star2.com website on 18 August 2015 . Author: Haruki Murakami Translator (Japanese-English): Ted Goossen Publisher: Alfred A Knopf Finally, famed Japanese author Haruki Murakami has deemed it fit for English-speakers to read the two novellas he wrote in the late 1970s that launched his career. Wind/Pinball is a collection of two novellas: Hear The Wind Sing and Pinball, 1973 . Murakami is on record for saying that he’s embarrassed by these novellas because, by his reckoning, they were his early books and are not that good. He’s even mentioned in interviews that he had had no plans for them to be released outside of Japan. English translations did exist, though. Published by Kodansha and translated by Alfred Birnbaum, the rarities were only ever intended to be used in English language classes in Japan. Print runs were limited and English-reading

It's always wonderful when you discover a wonderful new author. But this author I've found is hardly new and he is hardly obscure, having won three Hugo awards as well as a Nebula. In 1977 he became the third Grand Master of the SFWA. No, far from obscure, Clifford D. Simak is one of the masters of science fiction who wrote and published his stories during the hallowed Golden Era of SF. And the book that I've discovered by him is the fantastic, far-reaching and truly epic novel, City . Like many SF novels of that period, City is a novel that is patched together with previously published unconnected short stories, very similar to what Bradbury did with The Martian Chronicles and what Asimov did with I, Robot . What makes City unique--I'd go so far as to say fascinating --are the interstitial "notes" that tie the stories together into one continuous narrative. And these notes are often equally as intriguing as the stories they introduce. But I'm ge