Skip to main content

#BookReview: The SEA Is Ours edited by Jaymee Goh and Joyce Chng


Southeast Asia is a region rich with legends and myths which hasn't been explored enough by writers, even those residing here. But this is probably partly because we don't have that many venues in which to share these stories.

It goes without saying then that The SEA Is Ours, a steampunk anthology featuring writers from all over Southeast Asia, is a timely anthology that fills the need to showcase stories from authors we don't normally hear from.

The two editors, Jaymee Goh and Joyce Chng, have made great choices in selecting the stories that went into this anthology. There were only a couple of stories that didn't really grab my attention, but that's par for the course for any collection of stories. It's rare that I find myself liking all the stories in an anthology.

The ones that did really stood out for me were Timothy Dimacali's On The Consequence of Sound, which, rightly, is the opening story and features humongous giant whale catfish sweeping through the skies; Marilag Angway's Chasing Volcanoes which featured airships (my primary reason for loving the steampunk genre) and a fun, rollicking adventure worthy of the era of pulps and adventure serials; as well as Paolo Chikiamco's Between Severed Souls, a really fun steampunk twist on a Filipino legend.

You may have noticed that all the stories I mentioned above were written by Filipinos. They really turned in great stuff and this anthology has piqued my interest in looking for more SFF written by them.

Lots of other cool stories from writers from Southeast Asian countries worthy of your attention as well such as Olivia Ho's Working Woman and ZM Quynh's Chamber of Souls. All in all though, a fun book to read and a great addition to the canon that is world SFF. Truly worthy of your attention if you're a fan of well-written speculative fiction, steampunk or otherwise.

The book releases on November 1st. This review was made possible courtesy of NetGalley.

p/s
As a Malaysian though, I think it's a shame none of us managed to make it in but that just means we will have to work harder on our craft. And in case you're wondering, no, I didn't submit for this anthology.

Comments

Popular posts from this blog

I'm going to Clarion West!

So yeah! I'm going to Clarion West this year! If you didn't know, Clarion West is a really awesome science fiction and fantasy writing workshop that runs for six weeks in summer every year at Seattle and is usually taught by a faculty of award-winning authors and editors. Many students who attend this workshop also go on to have illustrious writing careers of their own too. I've been meaning to attend this workshop (or its sister workshop, Clarion UCSD, which is the original Clarion workshop but runs in San Diego around the same time) for years now but never had the courage to apply. Many reasons as to why: didn't think I'd have money for the most part, didn't think I was good enough, didn't think I could leave work long enough, didn't think I could leave family behind, etc. But something sparked inside of me late last year. I felt I should at least give it a go this time round. So I did. They requested a sample of my best work and an applicatio...

Dedicated by Burgess.

I've been wanting to blog this for ages, but I've never managed to make the scanner work properly... that is till now. Some years back, my dad was browsing the shelves of NovelHut, Ipoh's best second-hand bookstore, and found a copy of Anthony Burgess's Time for a Tiger . Price? RM2. (That would be approximately USD$0.60 or GBP£0.30). Did I mention it was a hardcover first edition? Here's the dedication page, with the famous dedication written in Jawi. Jawi is the Malay language written in Arab script, a norm early last century. Nowadays, Malay is written in Romanised form. The dedication says: " Kepada sahabat-sahabat saya di Tanah Melayu " which translates into "To my friends in Malaya." On the opposite page, proof this is the first edition. A first edition is probably valuable by itself. But this copy has something extra that makes it even more special--a personal dedication by Burgess himself to a friend: If you can't make the writing out...

REVIEW: Pinball, 1973 by Haruki Murakami.

UPDATE: My Wind/Pinball review can be found here . ISBN: n/a Publisher: n/a Paperback: 160 pages In Murakami fan circles, simply owning a copy of Pinball, 1973 is a mark of hardcore-ness. Like Hear the Wind Sing before it, Haruki Murakami does not allow English translations of Pinball, 1973 to be published outside of Japan. Back in the 80s, Alfred Birnbaum translated it into English and Kodansha published it as a novel for Japanese students who wanted to improve their English. While the English edition of Hear the Wind Sing continues to be reprinted and sold in Japan (and available for a moderate sum via eBay, see my review ), Kodansha stopped its reprint runs of the English edition of Pinball, 1973 and has now become a collector's item, fetching vast amounts of money on auction sites and reseller stores. Last time I checked, the cheapest copy went for USD$2500. Of course, Murakami addicts or the curious can always download a less than legal PDF of the book, painst...