Skip to main content

Is writing short stories first a good way to start ‘breaking into’ writing novels?

Good question. One that author S.L. Farrell tries to answer:
The skills you learn in short fiction don’t necessarily translate into equal skills for writing long fiction. The pacing is different: a short story needs to start as close to the end as possible while a novel may start much further back from the climax. The way you build a novel is often not something that you can duplicate in short fiction, as novels use a more intricate structure (and on the flip side, short stories can often use wildly experimental methods that work within the confinement of a short story, but which would get deadly tiresome to the reader in a novel). Scope is different, since short stories tend to use a microscope while a novel uses a wide-angle lens: you can tell the tale of a battle in short fiction, but you can’t give us the whole five-year long war. Setting is different: you generally have one or two setting in short fiction; in a novel you might have dozens — which means that the worldbuilding has to be much more in depth; you won’t get away with a painted backdrop in a novel. Plotting is different: short fiction tends to have a ’straight-line’ plot; a novel’s plot is generally more complex, and has the added complexity of sub-plots supporting the main plot. Characterization is even different: the character arc in short fiction will usually show the ‘top’ of the arc — that defining moment when the protagonist’s life is changed — while in a novel, the writer can show much more of the arc. Characterization is generally slower and deeper in a novel.

Comments

  1. That was helpful. I struggle terribly with writing short stories. I struggle even more trying to understand short stories!

    I like novelists because they have verbal diarrhea.

    ReplyDelete
  2. Glad that was of help! I like both short stories and novels. Short stories require less investment of time which is always a plus. Whether you understand them or not depends on the story I think. I don't rather like opaque short stories myself. But I do sometimes like the ones that don't seem to have any point to them at all, like the ones by Raymond Carver and some of Haruki Murakami's.

    ReplyDelete
  3. Ooh, btw, why did Redwhite Spot move from LJ to Blogger? Not that I'm complaining, in fact I much rather prefer it. Your RSS feed on LJ didn't work so I never knew when there was an update!

    ReplyDelete

Post a Comment

Popular posts from this blog

I'm going to Clarion West!

So yeah! I'm going to Clarion West this year! If you didn't know, Clarion West is a really awesome science fiction and fantasy writing workshop that runs for six weeks in summer every year at Seattle and is usually taught by a faculty of award-winning authors and editors. Many students who attend this workshop also go on to have illustrious writing careers of their own too. I've been meaning to attend this workshop (or its sister workshop, Clarion UCSD, which is the original Clarion workshop but runs in San Diego around the same time) for years now but never had the courage to apply. Many reasons as to why: didn't think I'd have money for the most part, didn't think I was good enough, didn't think I could leave work long enough, didn't think I could leave family behind, etc. But something sparked inside of me late last year. I felt I should at least give it a go this time round. So I did. They requested a sample of my best work and an applicatio...

REVIEW: Confessions of an Old Boy by Kam Raslan

Kam Raslan's right. In the preface for his new book, Confessions of an Old Boy: The Dato' Hamid Adventures he writes that we've known Dato' Hamid all our lives. Seeing as my own dad is an old boy of MCKK, the people I get to meet when he drags me to an Old Boy function and the people he tells me of, reflect the characters found in Kam's book. It really does feel like I've known Dato' Hamid all my life. Dato' Hamid is a civil servant of the Tunku Abdul Rahman generation. He is the sort of person you rarely see nowadays, a fine example of the anachronistic Malay. This generation, groomed in the ways of the colonial British would be out of place not just in 21st century Malaysia, but in Britain too. And yet, Dato' Hamid, in all his snobbishness and patronising ways, is essentially a Malaysian. Without people like him, our country would probably never exist at all. At least not like we know it now. I'm glad that Kam Raslan decided to capture this ...

Lesson: Commemorative Covers are Lame.

Well, I got the first day cover that commemorates the 35th anniversary of the establishment diplomatic relations between China and Malaysia that I mentioned a couple of posts ago. Except that it's not a first day cover, it's a commemorative cover, which is a slightly different beast. I guess I should read the news article properly next time! The difference between the two is that first day covers are specially-designed envelopes stuck on with specially-designed stamps, and marked with a specially-designed postmark. A commemorative cover is a specially-designed envelope... and that's it. All in all, it's an unremarkable affair, especially if you're used to well-designed first day covers (not that Malaysian first day covers are well-designed... but I digress). Oh sure, a commemorative cover has a stamp printed right on to it but that's just like an overglorified aerogramme. Lame. On the whole, what a disappointment. I haven't been collecting first day cover...