Skip to main content

Jules Verne: Father of Science Fiction?

Does Jules Verne deserve the title of "Father of Science Fiction"? John Derbyshire tackles this question in his essay, published in The New Atlantis:
Though a gifted storyteller, certainly in his early years, Verne had not sufficient powers of imagination, or scientific understanding, to rise to true science fiction. Here the contrast with his much younger (by 39 years) competitor for the “father of science fiction” title, H. G. Wells, is most striking. The concept of a fourth dimension, for example, first took mathematical form in the 1840s. By 1870 it was, according to the mathematician Felix Klein, part of “the general property of the advancing young generation [of mathematicians].” Wells grasped the imaginative power of this notion and used it to produce one of the greatest of all science fiction stories, The Time Machine (1895). Verne never used it at all, and would probably have found the notion of a fourth dimension absurd

Comments

  1. To each his own. You could argue that both of them showed distinct versions of scientific use. Verne prefers science gone right strengthening the industrial revolution, and Wells showcased things that effed up in the name of science and cause havoc to a typical British mind. Whom you chose might be indicative of your perpectice on life.

    Ask me who the daddy is, I'd call Asimov. Coz in the end, it was his take on sci-fi that determined how other authors write their story.

    The final argument could be that 'science fiction' as a term is really badly overgenerallized.

    ReplyDelete
  2. Yes, Verne wanted to show how science could benefit man, while Wells wanted to warn the dangers it could bring.

    But personally, I would hesitate in calling Asimov "The Daddy". He plays a big role in influencing the sci-fi scene certainly, especially with robot fiction, but I think the title should go to either Wells or Verne.

    But you're right, sci-fi as a term is too generalised.

    ReplyDelete
  3. Albert Robida is often overlooked, yet more than most science fiction writers, many of his technologies are part of our modern world eg flat screen TVs, iPod.

    ReplyDelete

Post a Comment

Popular posts from this blog

I'm going to Clarion West!

So yeah! I'm going to Clarion West this year! If you didn't know, Clarion West is a really awesome science fiction and fantasy writing workshop that runs for six weeks in summer every year at Seattle and is usually taught by a faculty of award-winning authors and editors. Many students who attend this workshop also go on to have illustrious writing careers of their own too. I've been meaning to attend this workshop (or its sister workshop, Clarion UCSD, which is the original Clarion workshop but runs in San Diego around the same time) for years now but never had the courage to apply. Many reasons as to why: didn't think I'd have money for the most part, didn't think I was good enough, didn't think I could leave work long enough, didn't think I could leave family behind, etc. But something sparked inside of me late last year. I felt I should at least give it a go this time round. So I did. They requested a sample of my best work and an applicatio...

Dedicated by Burgess.

I've been wanting to blog this for ages, but I've never managed to make the scanner work properly... that is till now. Some years back, my dad was browsing the shelves of NovelHut, Ipoh's best second-hand bookstore, and found a copy of Anthony Burgess's Time for a Tiger . Price? RM2. (That would be approximately USD$0.60 or GBP£0.30). Did I mention it was a hardcover first edition? Here's the dedication page, with the famous dedication written in Jawi. Jawi is the Malay language written in Arab script, a norm early last century. Nowadays, Malay is written in Romanised form. The dedication says: " Kepada sahabat-sahabat saya di Tanah Melayu " which translates into "To my friends in Malaya." On the opposite page, proof this is the first edition. A first edition is probably valuable by itself. But this copy has something extra that makes it even more special--a personal dedication by Burgess himself to a friend: If you can't make the writing out...

REVIEW: Pinball, 1973 by Haruki Murakami.

UPDATE: My Wind/Pinball review can be found here . ISBN: n/a Publisher: n/a Paperback: 160 pages In Murakami fan circles, simply owning a copy of Pinball, 1973 is a mark of hardcore-ness. Like Hear the Wind Sing before it, Haruki Murakami does not allow English translations of Pinball, 1973 to be published outside of Japan. Back in the 80s, Alfred Birnbaum translated it into English and Kodansha published it as a novel for Japanese students who wanted to improve their English. While the English edition of Hear the Wind Sing continues to be reprinted and sold in Japan (and available for a moderate sum via eBay, see my review ), Kodansha stopped its reprint runs of the English edition of Pinball, 1973 and has now become a collector's item, fetching vast amounts of money on auction sites and reseller stores. Last time I checked, the cheapest copy went for USD$2500. Of course, Murakami addicts or the curious can always download a less than legal PDF of the book, painst...